Pesquisando por: "French Salon Scene" - Fotoarena - Agência de fotojornalismo

1035_06_710304 French Salon Scene, Lemonnier, Anicet Charles Gabr

895714 CURITIBA, PR - 19/03/2015: PIAF ! O SHOW - Cena do espetáculo "Piaf! O Show", exibido no Teatro Positivo Grande Auditório, com a atriz e cantora Anne Carrere no papel da cantora francesa Piaf. (Foto: Daniel Derevecki / Fotoarena)

895713 CURITIBA, PR - 19/03/2015: PIAF ! O SHOW - Cena do espetáculo "Piaf! O Show", exibido no Teatro Positivo Grande Auditório, com a atriz e cantora Anne Carrere no papel da cantora francesa Piaf. (Foto: Daniel Derevecki / Fotoarena)

895712 CURITIBA, PR - 19/03/2015: PIAF ! O SHOW - Cena do espetáculo "Piaf! O Show", exibido no Teatro Positivo Grande Auditório, com a atriz e cantora Anne Carrere no papel da cantora francesa Piaf. (Foto: Daniel Derevecki / Fotoarena)

895711 CURITIBA, PR - 19/03/2015: PIAF ! O SHOW - Cena do espetáculo "Piaf! O Show", exibido no Teatro Positivo Grande Auditório, com a atriz e cantora Anne Carrere no papel da cantora francesa Piaf. (Foto: Daniel Derevecki / Fotoarena)

alb10892465 Grand ceremonial banquet at the French Court in the 14th century, with "entremets" (dishes that were served after roasts, vegetables and sweets). Engraving by Huyot from "Dictionnaire raisonné du mobilier français de l'époque carlovingienne à la Renaissance" by Viollet-le-Duc (1814-1879). "Moeurs, usages et costumes au moyen-âge et à l'époque de la Renaissance", by Paul Lacroix. Paris, 1878.

alb3895937 La Famille Bellelli The Bellelli Family. Date/Period: 1858 - 1869. Painting. Oil on canvas. Height: 2,000 mm (78.74 in); Width: 2,500 mm (98.42 in). Author: EDGAR DEGAS.

alb3659640 The Dispatch-Bearer. Artist: Giovanni Boldini (Italian, Ferrara 1842-1931 Paris). Dimensions: 16 3/4 x 13 1/2 in. (42.5 x 34.3 cm). Date: ?1879.Boldini made his debut at the Salon of 1879 with this vignette of contemporary urban life. The partially visible inscription of "garde républicaine" on the soldier's bag indicates that he is delivering correspondence on behalf of the Parisian municipal guard. He has arrived so early that the concierge is still washing the sidewalk; a couple bids a discreet adieu at right. Large spectacles outside an optician's shop encourage viewers to look closely at the action. One critic found the painting "a bit nonchalant and glittering," but praised its sense of life and rapid motion, concluding, "Boldini is more than a fashion painter.". Museum: Metropolitan Museum of Art, New York, USA.

alb3905284 Jeunes filles au piano Young Girls at the Piano. Date/Period: 1892. Painting. Oil on canvas. Height: 1,160 mm (45.66 in); Width: 900 mm (35.43 in). Author: Pierre-Auguste Renoir.

alb10601116 War of the Aggrieved. Radical absolutist uprising that took place between March and October 1827, mainly in Catalonia (Guerra dels Malcontents). Repression of the rebels in Barcelona. The wife of the soldier and guerrilla fighter José Mondedeu (1786-1848) begging for clemency at the feet of Carlos de España (Charles d'Espagnac) (1775-1839), known as "Conde de España" (Count of Spain). Illustration by J. Alaminos. Chromolithography. "Historia de la Guerra Civil y de los Partidos Liberal y Carlista" (History of the Civil War and the Liberal and Carlist parties). Volume III. 1891. Author: Juan Alaminos. Spanish artist of the second half of the 19th century.

akg829689 Karl I. der Große, König der Franken (768-814), röm. Kaiser; 747-814.-"Les Capitulaires de Charlemagne" (Die Kapitularien Karls des Großen).-Deckengemälde, 1838-40, von Abel de Pujol (1787-1861). Paris, Palais Bourbon (Assemblée Nationale), Salon Pujol.

akg2086159 Cabanel, Alexandre. 1823-1889. "Orest" (Skizze), 1846. Öl auf Leinwand, auf Holz aufgezogen, 27 × 31,5 cm. Inv. Nr. 18.2.24. Montpellier, Musée Fabre. Museum: Montpellier, Musée Fabre.

akg2086164 Cabanel, Alexandre. 1823-1889. "Orest", 1846. Öl auf Leinwand, 221 × 236,3 cm. Inv. Nr. 890-1-1. Béziers, Musée des Beaux-Arts. Museum: Béziers, Musée des Beaux-Arts.

akg7905761 John-Lewis Brown, 1829-1890. "Design for the Salon des Sciences in the Hôtel de Ville: The Longchamp Racecourse", around 1889. Painting, oil painting. PPP3912, Paris, Petit Palais.

akg7907418 Emile Lévy, 1826-1890. "Designs for the Salon des Cariatides of the Hôtel de Ville de Paris: Allegorical scenes of everyday life (arches)", 1890. Painting, oil painting. PPP4086, Paris, Petit Palais.

akg7905072 Béraud, Jean (Saint - Pétersbourg, 1849 - Paris, 1935). The exit from the salon in the Palais de l'Industrie, around 1890. Painting. P1621, Paris, Musée Carnavalet.

akg2141354 Marcel Amont, born Marcel Miaramon; French singer and actor; Born in Bordeaux on April 1, 1929. In his apartment in Paris (France): Marcel Amont with visitors. Photo, undated, 1960s. Copyright: For editorial use only.

akg2141355 Marcel Amont, born Marcel Miaramon; French singer and actor; born in Bordeaux on April 1, 1929. In his apartment in Paris (France): Marcel Amont (right) listening in on a telephone call. Photo, undated, 1960s. Copyright: For editorial use only.

akg940941 Versailles (Yvelines), château, Grand Appartement du Roi, Salon de Diane. Vue du plafond ; au centre, "Diane sur son char présidant à la chasse et à la navigation ", peinture, 1680, de Gabriel Blanchard (1630-1704) ; sur les vousures, quatre scènes mythologiques et de l'histoire antique de iClaude Audran et Charles de La Fosse.

alb3721980 L'assemblee au salon. Dated: 1783. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Francois-Nicolas-Barthelemy Dequevauviller after Nicolas Lavreince.

alb3516704 Penelope, ca. 1868, Oil on canvas, 43 1/2 x 19 1/2 in. (110.5 x 49.5 cm), Paintings, Charles-François Marchal (French, Paris 18251877 Paris), This painting and its pendant, Phryne (location unknown), were an immediate success at the Salon of 1868. They are typical of the scenes of fashionable life in Paris that Marchal painted in the decade prior to his suicide.

alb3659834 The Pardon in Brittany. Artist: Pascal-Adolphe-Jean Dagnan-Bouveret (French, Paris 1852-1929 Quincey). Dimensions: 45 1/8 x 33 3/8 in. (114.6 x 84.8 cm). Date: 1886.Like many of his contemporaries, Dagnan-Bouveret was fascinated by the religious customs of Brittany in northern France. In this scene, penitents wearing traditional regional dress proceed solemnly around a church. Some go barefoot or kneel to demonstrate remorse. Annotated drawings on the reverse of the canvas indicate that the painter's wife posed for the young woman in the foreground. When the picture was shown at the 1887 Salon and the 1889 Paris Exposition Universelle, critics applauded its exactitude--unsurprising, as Dagnan-Bouveret used photographs to aid his work. Museum: Metropolitan Museum of Art, New York, USA.

alb3657140 After the Hunt. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 93 x 73 1/4 in. (236.2 x 186.1 cm). Date: ca. 1859.In style, scale, and composition, this work strongly resembles Courbet's first hunting scene, The Quarry, a great success at the Salon of 1857 (Museum of Fine Arts, Boston). The present canvas is distinguished by the assortment of dead game, including a wild boar, a partridge, a deer, and a hare, a presentation recalling precedents in seventeenth-century Flemish painting. An avid sportsman, Courbet ultimately devoted some eighty pictures to subject of the hunt. Museum: Metropolitan Museum of Art, New York, USA.

alb3460655 Card Players in a Drawing Room, Oil on canvas, 31 1/8 x 38 3/4 in. (79.1 x 98.4 cm), Paintings, Pierre Louis Dumesnil the Younger (French, Paris 16981781 Paris), The theatrical effect created by the firelight and candles is typical of the work of Dumesnil, who was professor and rector of the Académie de Saint-Luc and exhibited genre scenes there from 1751 until 1774.

akg467890 Bousquet, Joë; French poet; Narbonne. 19.3.1897 - Carcassonne 28.9.1950. In his apartment in Carcassonne, Rue de Verdun, No. 53: The poet, who had been paralyzed since 1918 reading in bed. Photo, February 1946, by Denise Bellon (1902-1999). First series of photo shoots on Joë Bousquet. Copyright: Manipulation of image strictly forbidden.

akg1065855 Mohammed (Muhammad) V. Ben Jusuff, Sultan 1927-57 und ab 1957 König von Marokko; Fès 10.8.1909-Rabat 26. 2. 1961.-Staatsbesuch in Frankreich, Oktober 1950: Der Sultan und der französische Staatspräsident besuchen die Automobilausstellung "Salon de l' auto" im Grand Palais in Paris.-Foto.

alb3632530 The Bodmer Oak, Fontainebleau Forest. Artist: Claude Monet (French, Paris 1840-1926 Giverny). Dimensions: 37 7/8 x 50 7/8 in. (96.2 x 129.2 cm). Date: 1865.The Forest of Fontainebleau, south of Paris, became an artistic hot spot in the 1830s. One popular motif was the Bodmer Oak, named after Swiss artist Karl Bodmer (1809-1893), who exhibited a painting of the tree at the Salon of 1850. Monet used bright yellows, greens, and oranges to depict sunlight filtering through the canopy of branches. The carpet of russet leaves signals that he painted this view just before he concluded a months-long visit to Fontainebleau in October 1865. It is probably the last of several landscapes related to his monumental Luncheon on the Grass (1865-66; Musée d'Orsay, Paris), which is set in a sunny woodland glade. Museum: Metropolitan Museum of Art, New York, USA.

alb3631023 Ville-d'Avray. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 21 5/8 x 31 1/2 in. (54.9 x 80 cm). Date: 1870.Corot often painted views of the large pond on the property he had inherited from his parents at Ville-d'Avray. In repeating the scene, he took certain liberties, especially with the tree just left of center. The silhouette of branches and foliage against the pewter sky led Corot's biographer Alfred Robaut to liken this work to a spider's web. Corot initially included a child with outstretched arms beside the crouching peasant woman, but he seems to have found this detail too anecdotal. Critics admired the calm poetry of this composition when it was first exhibited at the 1870 Salon. Museum: Metropolitan Museum of Art, New York, USA.

alb3638471 The Turkish Patrol. Artist: Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). Dimensions: 29 1/4 x 36 3/8 in. (74.3 x 92.4 cm).The present picture depicts Turkish military patrols making their rounds at Smyrna--now Izmir--which Decamps visited in 1828. It is a late variant of his first major Orientalist subject, exhibited at the Paris Salon of 1831 (now in the Wallace Collection, London). Decamps belonged to the first generation of French painters to popularize scenes of everyday life set in the Middle East. This painting belonged to the Metropolitan Museum's first president, John Taylor Johnston, until 1876, when it was purchased by Catharine Lorillard Wolfe, the Museum's first woman benefactor. Museum: Metropolitan Museum of Art, New York, USA.

alb3630126 Tiger and Cubs. Artist: Jean-Léon Gérôme (French, Vesoul 1824-1904 Paris). Dimensions: 29 x 36 in. (73.7 x 91.4 cm). Date: ca. 1884.Gérôme attributed the success of his animal paintings to his early studies at the menagerie of the Jardin des Plantes in Paris. The soft handling and the unemphatic drawing in this painting are characteristic of Gérôme's work from the 1880s. It was probably painted about 1884, when the artist exhibited another nocturnal scene featuring tigers, Night in the Desert, at the Paris Salon (now Carnegie Museum of Art, Pittsburgh). Museum: Metropolitan Museum of Art, New York, USA.

alb3673657 The Experts. Artist: Alexandre-Gabriel Decamps (French, Paris 1803-1860 Fontainebleau). Dimensions: 18 1/4 x 25 1/4 in. (46.4 x 64.1 cm). Date: 1837.In this satirical work, first exhibited at the Paris Salon of 1839, elegantly dressed "experts" examine a landscape in the style of the seventeenth-century painter Nicolas Poussin. Decamps's generation, including such figures as Théodore Rousseau and Jules Dupré, sought to challenge the prevailing view that the art of the past should dictate contemporary taste.Scenes in which monkeys are engaged in human activities--singeries in French--are part of a tradition that can be traced to Antiquity. Museum: Metropolitan Museum of Art, New York, USA.

alb3676975 Mademoiselle V. in the Costume of an Espada. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 65 x 50 1/4 in. (165.1 x 127.6 cm). Date: 1862.Manet depicted model Victorine Meurent (1844-1928) in the guise of a male espada, or matador, borrowing her pose from a Renaissance print. Victorine's shoes are unsuitable for bullfighting, and the pink cape that she flourishes is the wrong hue, but she carries off her role with panache. The backdrop reproduces a scene from Goya's Tauromaquia series, celebrating the feats of bullfighters. When this painting was exhibited at the infamous Salon des Refusés of 1863, a commentator noted, "Manet loves Spain, and his favorite master seems to be Goya, whose vivid and contrasting hues, whose free and fiery touch he imitates.". Museum: Metropolitan Museum of Art, New York, USA.

alb3623170 Hunting Dogs with Dead Hare. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 36 1/2 x 58 1/2 in. (92.7 x 148.6 cm). Date: 1857.This picture dates to the same year that Courbet debuted his hunting scenes at the Paris Salon of 1857. It invites comparison to the slightly earlier The Quarry (Museum of Fine Arts, Boston) which includes the same pair of hunting dogs, accompanied by a dead stag instead of a hare. The present work was apparently described by the German painter Otto Scholderer (1834-1902), whose studio was above the one Courbet rented in Frankfurt in the winter of 1858-59. Scholderer noted that Courbet painted the dogs and the landscape from memory but modelled the hare from life. Museum: Metropolitan Museum of Art, New York, USA.

alb3622067 The Abduction of Rebecca. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 39 1/2 x 32 1/4 in. (100.3 x 81.9 cm). Date: 1846.Throughout his career, Delacroix was inspired by the novels of Sir Walter Scott, a favorite author of the French Romantics. This painting depicts a scene from Ivanhoe: the Jewish heroine Rebecca, who had been confined in the castle of Front de Boeuf (seen in flames), is carried off by two Saracen slaves commanded by the covetous Christian knight Bois-Guilbert. The contorted, interlocking poses and compacted space, which shifts abruptly from the elevated foregound to the fortress behind, create a sense of intense drama. Apart from the still life at lower left, the only element of calm is Rebecca herself. Museum: Metropolitan Museum of Art, New York, USA.

alb3622774 The Burning of Sodom (formerly "The Destruction of Sodom"). Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 36 3/8 x 71 3/8 in. (92.4 x 181.3 cm). Date: 1843 and 1857.This Old Testament scene shows an angel in the sky hurling fire and brimstone down upon Sodom, to destroy the city for its wickedness. At the left, another angel leads Lot and his two daughters to safety. Behind them, Lot's wife, who looked back in regret despite a warning, has become a pillar of salt.Years after Corot exhibited the painting at the Paris Salon of 1844, he cut it down substantially, reducing the sky and the landscape at right. He repainted the foreground in a darker palette and exhibited the revised canvas at the 1857 Salon. By then his stature ensured a better reception from the critics. Museum: Metropolitan Museum of Art, New York, USA.

alb3620403 Fontainebleau: Oak Trees at Bas-Bréau. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 15 5/8 x 19 1/2 in. (39.7 x 49.5 cm). Date: 1832 or 1833.Corot painted this study in the summer of 1832 or 1833 in Bas-Bréau, a section of Fontainebleau forest that was famous for its immense oak trees. It was executed in the naturalistic style that he had previously developed in Italy. The tree reappears in Hagar in the Wilderness, the large canvas he exhibited at the 1835 Paris Salon. Improbably, in his realization of that biblical scene, Corot transplanted the oak from northern France to the Palestine desert.Corot gave this work to his friend Célestin Nanteuil (1813-1873), who made a reproductive lithograph after Hagar. Museum: Metropolitan Museum of Art, New York, USA.

alb3607153 The Repast of the Lion. Artist: Henri Rousseau (le Douanier) (French, Laval 1844-1910 Paris). Dimensions: 44 3/4 x 63 in. (113.7 x 160 cm). Date: ca. 1907.This work was probably shown in the Salon d'Automne of 1907, but it treats a theme that Rousseau first explored in Surprised! of 1891 (National Gallery, London). He based the exotic vegetation of his many jungle pictures on studies that he made in Paris's botanical gardens, and adapted the wild beasts from popular ethnographic journals and illustrated children's books. Rousseau's nickname, "le Douanier," derives from his job as a customs official. Museum: Metropolitan Museum of Art, New York, USA.

alb3603374 Morning, Interior. Artist: Maximilien Luce (French, Paris 1858-1941 Paris). Dimensions: 25 1/2 x 31 7/8 in. (64.8 x 81 cm). Date: 1890.This intimate scene depicts Luce's close friend and fellow painter Gustave Perrot "getting up" and dressing as morning light streams through a garret window. Luce enlivened the traditional subject of an artist in his humble living quarters with a vivid palette of red, orange, yellow, and blue, applied in stippled brushstrokes, in keeping with the newly minted technique of Pointillism. Little is known about Perrot, aside from the fact that he died young. In 1892, his brief career was remembered in a fifteen-work tribute held at the Salon des Indépendants in Paris. Museum: Metropolitan Museum of Art, New York, USA.

alb3656573 Young Ladies of the Village. Artist: Gustave Courbet (French, Ornans 1819-1877 La Tour-de-Peilz). Dimensions: 76 3/4 x 102 3/4 in. (194.9 x 261 cm). Date: 1851-52.This painting, which initiated a series of pictures devoted to the lives of women, shows Courbet's three sisters--Zélie, Juliette, and Zoé--strolling in the Communal, a small valley near his native village of Ornans. One of the girls offers alms to a young cowherd. Courbet had high hopes for the work, but when it was exhibited at the Salon of 1852, critics attacked it as tasteless and clumsy. They reviled the models' common features and countrified costumes, the "ridiculous" little dog and cattle, and the overall lack of unity, including traditional perspective and scale. Museum: Metropolitan Museum of Art, New York, USA.

alb3615196 Ducks Resting in Sunshine. Artist: Jean-Baptiste Oudry (French, Paris 1686-1755 Beauvais). Dimensions: 25 1/2 x 31 3/4 in. (64.8 x 80.6 cm). Date: 1753.This picture and Dog Guarding Dead Game (71.89) were exhibited in the Salon of 1753, the last in which Oudry participated. The two, while not conceived as pendants, were hung together by the collector Ange Laurent de La Live de Jully. Oudry made his reputation painting Louis XV's hunts and royal animals. Museum: Metropolitan Museum of Art, New York, USA.

alb3613390 Falling Leaves, Allegory of Autumn. Artist: Hugues Merle (French, Saint-Marcellin 1823-1881 Paris). Dimensions: 68 7/8 x 43 1/4 in. (174.9 x 109.9 cm). Date: 1872.Merle, a friend and sometime rival of Bouguereau, was known for the sentimental images of contented rustic families that he regularly exhibited at the annual Salons. In this painting from 1872, Merle tried his hand at a loosely mythological scene of a languid young woman in the guise of Fall. Catharine Lorillard Wolfe bought the melancholic picture from the New York branch of the art gallery Goupil & Co. on February 21, 1873, while still in mourning for her father. A critic who saw the work in Wolfe's home remarked, "Here, under russet foliage, a ripe beauty passes.... Nearby, disguised so much in shadow as to be almost invisible, little Love is running away; for this bereavement of affection is the plague of life's Autumn, as love's importunity is the plague of its Spring.". Museum: Metropolitan Museum of Art, New York, USA.

alb3611898 The Weeders. Artist: Jules Breton (French, Courrières 1827-1906 Paris). Dimensions: 28 1/8 x 50 1/4 in. (71.4 x 127.6 cm). Date: 1868.This is a smaller variant of a composition Breton painted in 1860 (Joslyn Art Museum, Omaha) and exhibited to wide acclaim at the Salon of 1861 and the World's Fair of 1867 in Paris. In his autobiography, Breton described this twilight scene of peasants pulling up thistles and weeds--"their faces haloed by the pink transparency of their violet hoods, as if to venerate a fecundating star"--noting that he had discovered the subject as a "finished picture" near his native village, Courrières, in northern France. Museum: Metropolitan Museum of Art, New York, USA.

alb3617659 The Edge of the Woods at Monts-Girard, Fontainebleau Forest. Artist: Théodore Rousseau (French, Paris 1812-1867 Barbizon). Dimensions: 31 1/2 x 48 in. (80 x 121.9 cm). Date: 1852-54.As related by Rousseau's friend and biographer Alfred Sensier, this painting represents part of the woods at Fontainebleau where the trees--some hundreds of years old--were vulnerable to harvest, a practice the artist bitterly opposed. Although the composition reflects seventeenth-century Dutch prototypes, its contemporary resonance is elucidated by the poignant contrast between the saplings in the recently cleared opening at the left and the aged specimens at the right. After working on the panel for two years Rousseau dated it, a rare gesture signifying that he considered it particularly successful. The painting was included in Rousseau's triumphant display at Salon of 1855. Museum: Metropolitan Museum of Art, New York, USA.

alb3646316 Boating. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: 38 1/4 x 51 1/4 in. (97.2 x 130.2 cm). Date: 1874.Manet summered at Gennevilliers in 1874, often spending time with Monet and Renoir across the Seine at Argenteuil, where Boating was painted. Beyond adopting the lighter touch and palette of his younger Impressionist colleagues, Manet exploits the broad planes of color and strong diagonals of Japanese prints to give inimitable form to this scene of outdoor leisure. Rodolphe Leenhoff, the artist's brother-in-law, is thought to have posed for the sailor but the identity of the woman is uncertain.Shown in the Salon of 1879, Boating was deemed "the last word in painting" by Mary Cassatt, who recommended the acquisition to the New York collectors Louisine and H.O. Havemeyer. Museum: Metropolitan Museum of Art, New York, USA.

alb3646795 The Dispatch of the Messenger. Artist: François Boucher (French, Paris 1703-1770 Paris). Dimensions: Oval, 12 5/8 x 10 1/2 in. (32.1 x 26.7 cm). Date: 1765.At the Salon of 1765, this painting was exhibited with three others, to form a narrative. A second oval depicted the arrival of the dove carrying a love letter. In one of the two rectangular canvases, the shepherdess read the letter to her confidante, and the other showed the meeting of the lovers.Diderot, a harsh critic of Boucher, praised the four paintings as "a charming little poem," but he condemned the falsity of the genre, comparing it to country life as represented in French opera. Drawings by Beauvarlet after the two ovals, made in preparation for engravings, were exhibited in the Salon of 1769. Museum: Metropolitan Museum of Art, New York, USA. Author: Francois Boucher.

alb3643462 The Natchez. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: 35 1/2 x 46 in. (90.2 x 116.8 cm). Date: 1823-24 and 1835.In 1823, Delacroix began to paint this scene from Chateaubriand's widely read Romantic novel Atala, which narrates the fate of the Natchez tribe in the wake of the French and Indian War (1754-63). After putting the canvas aside for about a decade, he finally completed the picture for the Paris Salon of 1835. In the catalogue, Delacroix provided this explanatory note: "Fleeing the massacre of their tribe, two young savages traveled up the Mississippi River. During the voyage, the woman was taken by pain of labor. The moment is that when the father holds the newborn in his hands, and both regard him tenderly.". Museum: Metropolitan Museum of Art, New York, USA. Author: EUGENE DELACROIX.

alb3661110 Florinda. Artist: Franz Xaver Winterhalter (German, Menzenschwand 1805-1873 Frankfurt). Dimensions: 70 1/4 x 96 3/4 in. (178.4 x 245.7 cm). Date: 1853.This painting depicts an episode from the legend of Roderick, the last king of the Spanish Visigoths. After spying on his maids of honor to determine the fairest among them, the king chose Florinda (at center left), who became the object of his love. In revenge, Florinda's father called the Arabs into Spain and brought about the conquest. This painting, which was shown at the Salon of 1853, is a replica of a version of the same size given by Queen Victoria to Prince Albert in 1852. Winterhalter used a similar composition for Empress Eugénie Surrounded by Her Ladies-in-Waiting (1855; Musée National du Château, Compiègne). Museum: Metropolitan Museum of Art, New York, USA.

akg366671 Tissot, James Jacques Joseph. 1836-1902. "Reading the News", c. 1874. Oil on canvas, 86.3 × 52cm. London, Sotheby's. Lot 102, 23/5/1989. Author: JAMES TISSOT (JACQUES-JOSEPH).

akg371435 Society, Family. Young Parisian family in the evening. Chalk lithograph, undated, c.1845, by J.Champagne after a drawing by Henri de Montaut (c.1825 - before 1890). No. 12 of the series "Soirées Parisiennes". Cabinet des Dessins, Paris, Musée Carnavalet. Museum: Paris, Musee Carnavalet.

akg258611 Buffet, Bernard; French painter and graphic designer. Paris 10.7.1928 - Tourtour. 4.9.1999. Bernard Buffet at the Château l'Arc. Photo, 1960. Copyright: For editorial use only.

akg916781 Musik / Tanz / Polka.-"La Polka (Pologne)".-(Polnisches Tanzpaar beim Polkatanz). Farblithographie, anonym, Frankreich 1880er Jahre. Aus einer Serie "Danses nationales dans tous les pays". Museum: Private Collection., Paris.

akg235618 Dufy, Raoul. 1877-1953. "30 ans ou la vie en rose", 1931. Oil on canvas, 98 × 128cm. Paris, Musée d'Art Moderne de la Ville. Museum: Paris, Musée d'Art Moderne de la Ville. Copyright: © Raoul Dufy. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.

akg030697 Music:. Dance / Mazurka. "Mazurka / Soiree de Marchande". Chalk lithograph, coloured, 1843, by Lemercie after drawing by Rudolf Joukowski, 17 × 21.7cm. Fr. the series: Scenes populaires russes. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg112361 Vuillard, Edouard. 1868-1940. "Dans la chambre" (In the Room), 1904. Oil on cardboard, 50 × 70 cm. I.A. Morosov, Moscow, Pushkin Museum. Museum: Moscow, Pushkin Museum. Copyright: Additional copyrights may need to be cleared on this image when licensed for use by clients in the USA. Please contact us for additional information.

alb3894598 The Luncheon. Date/Period: 1868. Painting. Oil on canvas. Width: 151 cm. Height: 231.5 cm (Complete). Author: CLAUDE MONET.

alb4153132 A Visit to the Salon. Obviously all the sculptors are a naughty bunch, plate 1 from Tout Ce Qu'on Voudra. Honoré Victorin Daumier; French, 1808-1879. Date: 1847. Dimensions: 268 × 215 mm (image); 330 × 250 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Honoré-Victorin Daumier.

akg6002549 Victor Hugo; French writer; 1802-1885. Works: Notre-Dame de Paris (Novel, 1831, The Hunchback of Notre Dame). - "Quasimodo sauvant la Esméralda des mains de ses bourreaux" (Quasimodo saves Esmeralda from the executioners). - Painting, 1832, by Eugénie Henry (1808-1879). Oil on canvas, 81 × 65 cm. Inv.no. MVHP.P.780; Paris, Musée Victor Hugo. Museum: Paris, Private Collection.

akg3674376 Histoire de France / Temps Modernes. "Le règne de Louis XV (suite et fin) / LA PHILOSOPHIE, LES LETTRES, LES ARTS". Détail : "Montesquieu; Denis Diderot; Voltaire; Jean-Jacques Rousseau; Mme Geoffrin; Marie de Vichy Chamrond, Marquise du Deffand; Hyacinthe Rigaud; École Militaire, Paris; Julie de Lespinasse; Jean Marc Nattier; salon littéraire à l'époque de Louis XV. Élisabeth Vigée-Lebrun; Chaise à porteurs du temps de Louis XV; Pendule en faïence sous l'époque de Louis XV; Place Louis XV. (Maintenant, la place de la Concorde) en 1774. Impression couleur à partir du dessin de Jos. Girard. Gustave Gautherot, Histoire de France, Tome I, Paris (Maison de la Bonne Presse), 1934.

akg2163452 Cervantes, Miguel de, 1547-1616, Spanish writer. Works: Don Quixote, published 1605 (first part), 1615 (second part). "Don Quixote dancing at a ball in Barcelona". Tapestry, France, 18th Century, after a drawing by Charles Antoine Coypel (1694-1752). From the series: Histoire de Don Quichotte, 3.6 × 5.05 m. Versailles, Château et Trianons. Museum: Versailles, Château et Trianons. Author: Charles-Antoine Coypel.

akg382766 Dumas, Alexandre (Dumas père) ; 1802-70. Oeuvre : Les Compagnons de Jéhu (roman, 1856). - Page de titre : le salon de Joséphine Bonaparte (Napoléon est à droite) juste avant le coup d'État du 18 brumaire (novembre 1799). Grav. sur bois. In : Alexandre Dumas Illustré. Paris (A. Le Vasseur & Cie), v. 1880-90. Paris, collection akg-images. Museum: Paris, akg-images collection.

akg373365 Daudet, Alphonse ; écrivain français ; 1840-1897. Oeuvre : Le Petit Chose (1868). "Nous avions pris place.. chacun d'un côte de Mlle Pierrotte". (2e partie, chap. VI). Gravure, 1899, d'ap. dessins de Louis Émile Adan (1839-1937). In: A. Daudet, Oeuvres complètes, tome 1, Paris (Alexandre Houssiaux). 1899. Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale. Copyright: Additional copyrights must be cleared.

akg1027640 Cervantes, Miguel de; 1547-1616. Werke: Don Quijote (2.Tle, 1605,1616).-"Don Quijote tanzt auf dem Ball in Barcelona" (Ausschnitt).-Bildteppich, Frankreich, 18.Jh., nach Karton von Charles Antoine Coypel (1694-1752). Aus der Serie: Histoire de Don Quichotte. / Thoiry (Dép.Yvelines, Ilede-France, Frankreich), Schloss.

alb3654637 Christie's Auction Rooms. Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Bluck (British, 1791-1832). Dimensions: Sheet (trimmed): 9 3/4 in. × 12 in. (24.7 × 30.5 cm)Plate: 9 1/2 × 11 11/16 in. (24.2 × 29.7 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: The Microcosm of London. Date: February 1, 1808. Museum: Metropolitan Museum of Art, New York, USA.

akg8201573 Vuillard, Édouard 1868-1940. "Madame Vuillard Sewing", 1920. (The artist's mother, Marie Vuillard née Michaud). Oil on cardboard, 33 x 35 cm. Tokyo, National Museum of Western Art.

akg2141939 Aznavour, Charles, born Shahnour Vaghinag Aznavourian. French chansonnier and film actor of Armenian origin. Paris 22 May 1924 - Mouriès 1 October 2018. In his house in Galluis (Dép. Yvelines, France): Charles Aznavour with his mastiff. Photo, undated, around 1968. Copyright: For editorial use only.

akg008961 Mozart, Wolfgang Amadeus, 1756-1791, Austrian composer. "Mozart plays the music of his new opera Don Giovanni for the first time for friends in Vienna". Mezzotint engraving by Alfred Cornilliet. (1807 - c. 1870) after the painting by Edouard Hamman (1819-88). 62.6 × 89.2cm. Berlin, Sammlung Archiv für Kunst und Geschichte.

akg177868 Music / Dance / Social Dancing:. "Cafes & Cabarets". (Scene in a dance bar). Woodcut, coloured, title picture of:. Georges de Wissant, Cafes & Cabarets. (Le Paris d'autrefois), Paris (Jules Tallandier) 1928. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

alb4153043 "- It seems that the sea serpent has reappeared in the Indian Ocean!... - Oh, my God... is it possible!... - Of course it's possible if I tell you that it has been printed like that in the Constitutionnel!...," plate 20 from Les Bons Bourgeois. Honoré Victorin Daumier; French, 1808-1879. Date: 1846. Dimensions: 238 × 210 mm (image); 341 × 261 mm (sheet). Lithograph in black on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

alb4159208 Moulin de la Galette. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1889. Dimensions: 35 7/8 × 39 5/8 in. (88.5 × 101.3 cm). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

akg941200 Louis XIV, King of France (1643-1715); 1638-1715.-"The Absolutism of the King (1661)" / "Exposing the neighbouring powers of France".-Ceiling paint., 1679/84, by Charles Le Brun (1619-1690). Oil on canvas. INV. 2924-2925 Versailles, Palace, Hall of Mirrors.

akg927524 Louis XIV, King of France (1643-1715); 1638-1715. /-"The King is giving orders to attack four Dutch strongholds simultaneously (1672)" (Dutch wars 1672-79).-/ Ceiling painting, 1679/84, by Charles Le Brun (1619-1690). Oil on canvas. INV. 2920. Versailles, Palace, Gallery of Mirrors. Photo, 2005, after renovation.

akg994991 Fontainebleau (Dép.Seineet-Marne, Frankreich), Schloss / Château (erbaut ab 1528), Appartement du Pape (vormals Appartement des Reines Mères; Neumöblierung 1804 für Papst Pius VII.), Gros Salon (Decke Zeit Heinrich II.).-Teilansicht mit Bildteppich "Alexander und der gefangene Poros" nach Charles Lebrun.-/ Foto, 2009.

alb2037624 Georges Seurat / 'Circus Sideshow', 1888, Oil on canvas, 100 x 150 cm. Museum: METROPOLITAN MUSEUM OF ART, NUEVA YORK, USA.

alb3717203 Oui ... on a eu l'indignité de me refuser ce tableau ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3709257 Le danger de faire voir a des enfants ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3894280 Le pauvre pêcheur / The poor fisherman. Date/Period: 1881. Painting. Oil on canvas. Height: 155.5 cm (61.2 in); Width: 192.5 cm (75.7 in). Author: PIERRE PUVIS DE CHAVANNES.

alb3733611 Le bal paré. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Antoine-Jean Duclos after Augustin de Saint-Aubin.

alb3733176 Ils m'ont refusé ca ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3738298 Moi ce que j'aime dans la salle de sculpture ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3746306 Un peintre fantaisiste. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3722025 Comment, c'est dans cette cave que ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3725660 Ce Monsieur Courbet, fait des figures ... vulgaires ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3728157 Toujours la comète. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

alb3662767 Ah, my dear sir, allow me to tell you that this year you have quite simply exhibited a masterpiece, from 'Sketches from the Salon,' published in Le Charivari, May 31, 1865. Artist: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Dimensions: Image: 9 3/16 × 8 3/16 in. (23.4 × 20.8 cm)Sheet: 11 13/16 × 11 7/16 in. (30 × 29.1 cm). Printer: Destouches (Paris). Publisher: Aaron Martinet (French, 1762-1841). Series/Portfolio: 'Sketches from the Salon' (Croquis pris au Salon). Date: May 31, 1865. Museum: Metropolitan Museum of Art, New York, USA.

alb4142234 The Last Words of Jean Jacques Rousseau. Heinrich Guttenberg (German, 1749-1818); after Jean Michel Moreau (French, 1741-1814). Date: 1775. Dimensions: 233 x 335 mm (image); 314 x 372 mm (sheet). Etching on laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

alb9531013 This salon exhibits a riot of Chinese/Japanese motifs. The walls are hung with wallpaper panels decorated with leaves, birds and large ceramic figures. A lantern, suspended from a palmette canopy centered in the ceiling, is designed in a large circular fish scale pattern. The black japannned and cane furniture is typical of the Victorian period. The floor covering appears to simulate tatami matting. Two large seated statues in costume flank French doors on the right. A mysterious seated figure in the left foreground holds a mask to his face with one hand; an unidentified object, perhaps also a mask, is in the other hand. Date: 1855. Brush and watercolor, gouache, graphite on white paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

alb906950 SCARLETT JOHANSSON and JOSH HARTNETT in LA DALIA NEGRA (2006) -Original title: THE BLACK DAHLIA-, directed by BRIAN DE PALMA. English title: THE BLACK DAHLIA.

akg8553930 Chardin, Jean-Baptiste Siméon 1699-1779. "Lady with a Bird-Organ", 1753. (Replica by Chardin of the painting "La serinette, dit aussi Une Dame variant ses amusements" (The birth organ or a lady varying her pleasures), 1751, in the Musée du Louvre). Oil on canvas, 50.8 x 43.2 cm. Acc.No.: 1926.1.22. Purchased by The Frick Collection, 1926. New York, Frick Collection.

alb1975335 Tapestry depicting natural motifs, Winter Salon, Merville Castle, Midi-Pyrenees. Detail. France, 17th century.

akg194664 Marx, Roger French art critic, 1859-1913. "Roger Marx and his wife in the drawing-room". Painting, 1887/89, by Eugene Carriere (1849-1906). Oil on canvas, 50 × 64cm. Bremen, private collection.

akg5118775 Marion Delorme; french courtesan, 1613-1650. - Milton visiting Marion Delorme. - Wood engraving, c. 1895, after painting by Wenzel von Brozik (1851-1901). From: Modern art. Illustrated magazine XVI,; Publisher Richard Bong, Berlin. Berlin, Sammlung Archiv für Kunst und Geschichte. Museum: Berlin, Sammlung Archiv für Kunst und Geschichte.

akg867337 Bonnard, Pierre, 1867 - 1947, French painter. "Sous la lampe, Szene d'intérieur" (Under the lamp, interior scene), c.1899. Oil on canvas, 44 x 51 cm. Ishibashi Collection, Tokyo, Japan.

akg3801977 Jean-Léon Gérôme; 1824-1904. "Le roi Candaule" (King Candaules), circa 1856/58. (Candaules, King of Lydia, secretly shows Gyges his wife as she goes to bed), Study for the painting. Oil and pen in ink on paper, 31.4 × 47.9 cm. Art Trade London, Sotheby's, May 24, 1995, Lot 105A.

alb5163835 Christie's Auction Room, Augustus Charles Pugin, French, active Great Britain, ca. 17621832, Thomas Rowlandson, British, 17561827, John Bluck, British, 17911832, Rudolph Ackermann, English, b. Germany, 17641834, Brush and wash, etching and aquatint on paper, Plate showing Christie's Auction Room from the series 'Microcosm of London.' A crowd stands in a high-ceilinged room, with light streaming in through high windows. Paintings in ornate frames are hung salon-style, with vaguely recognizable classical compositions: an Annunciation, an Adoration, a saint, an equestrian scene, a portrait. A reclining Venus is displayed on the auction stand, and before her a lively and colorful crowd is shown, with detailed dress and caricatured features., London, United Kingdom, Europe, February 1, 1808, architecture, interiors, Print, Print.

alb5169046 Projet de l'angle d'un Sallon portatif pour le Roy (Design for a Corner of a Salon), plate 98, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 16951750, Gabriel Huquier, French, 16951772, Engraving on laid paper, View of upper corner of a room; left, a putto perched on a rocaille cornice leading up to a robed woman reaching up to another woman who bends over handing her a basket of flowers. Above, more figures holding a large basket of flowers; C-curves frame this scene. Right, trompe l'oeil balcony with architecture view., Paris, France, 1748, interiors, Print, Print.

akg2084031 Staël, Germaine, Baroness of Staël-Holstein, known as Madame de Staël; French Writer of Swiss origin; Paris 22.4.1766 - ibid. 14.7.1817. "Une conférence de Mme de Staël". Grisaille, late 18th century, attributed to Philibert-Louis Debucourt (1755-1832). Gouache on tinted paper. Hennin t. 144, No. 12680, Paris, Bibliothèque Nationale. Museum: Paris, Bibliothèque Nationale.

akg2141010 Béart, Guy, born Guy Béhar; French singer, composer and actor of Lebanese origin; Born in Cairo on July 16, 1930. In his house in Garches (Guys-de-Seine, France): Guy Béart with the Finnish actress Yanti Somer (born Yanti Valio). Photo, undated, around 1968. Copyright: For editorial use only.

akg2140955 Sheila, born Annie Chancel; French pop singer; Born in Créteil on 16 August 1946 (other sources: 1945). After the success with her first record (Sheila, Un bateau s'en va, On a juste l'age, Avec toi) 1962: Sheila at the piano in the parental apartment in Paris in the 13th arrondissement; In the background the parents Micheline and André Chancel. Photo, 1962. Copyright: For editorial use only.

akg2126778 Adan, Louis Emile, 1839-1937, French painter. "Temptation". Painting, undated. Oil on canvas, 44.5 x 63.5 cm. Sotheby's London, 9th February 1999, lot 145.

akg3026030 Derain, André; 1880-1954. "Les Filles" (Die Mädchen), 1905/06. Aquarell und Bleistift auf Papier, 42,5 x 53,5 cm. Centre Georges Pompidou, Paris, Musée National d'Art Moderne. Museum: Paris, Musée National d'Art Moderne. Copyright: © André Derain. This artwork is not in the public domain. It is your responsibility to obtain all necessary third party permissions from the copyright handler in your country prior to publication.